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The Constitution of the Fifth Republic stipulates, in article
2, that the national emblem is the blue, white and red tricolour
flag. |
French
monarchs wore the three colours distinctly: blue, white and red.
- The blue banner flowing for the coronation of Charlemagne, in remembrance
of the blue cover which Saint Martin gave to a poor person. From Clovis
to Charles X, the royal coat is azur blue, ornated with gold fleur-de-lis,
symbols of loyalty and fidelity. Under Hugues Capet and his descendants,
the King’s Standard was the red banner of Saint-Denis, protector
of the kingdom.
- White was the colour of the Royal Standard and the Navy flag from
1638 to 1790. from 1814 to 1830 it was also the colour of the Royal
Army.
The French revolution instituted the tricolour flag. During the celebration
of the Federation, July 14, 1790, the Champs de Mars was decorated with
tricolour flags. A decree of 27 Pluviôse An 2 (1794) stipulates:
“The banner, as well as the national flag, shall be composed of
the three national colours, in three equal bands, so that the blue shall
be attached to the flag pole, the white in the middle and the red floating
in the wind”.

Marianne

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In spite of the fact that the 1958 Constitution chose the tricolour
flag as the national emblem, Marianne also incarnates the French
republic.
The first representations of a woman wearing a Phrygian bonnet,
allegory of Liberty and of the Republic, appeared during the
French Revolution.
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The
origin of the use of the name “Marianne” is not
certain. A very popular first name in the XVIII century, Marie-Anne
depicted the common people. However the anti-revolutionists
also used this name, in mockery, for the Republic. Symbol of
liberty, the Phrygian bonnet was worn by emancipated slaves
in Greece and Rome.
A similar
bonnet was also worn by mediterranean seamen and galley slaves
and was apparently borrowed by revolutionists coming from the
Midi region.
Under the Third Republic, statues and especially busts of Marianne
mutliplied, particularly in town halls. Several trends of representation
were developed depending on whether the revolutionary or the
well-behaved aspect of Marianne was privileged; the Phrygian
bonnet is sometimes considered too seditious and is replaced
by a tiara or crown. Nowadays famous actrices lend their faces
to Marianne. She is represented on items benefiting from wide
distribution such as coins or post stamps. |
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